Quickly, now

A big trip is coming up, and before departure I’m racing through some last minute e-books from the NYPL (see below). Can’t send them back un-read! I’m also pulling out a nearly abandoned manuscript to revive/revise for a writing retreat in September — a chance to meet with two editors to discuss “next steps”. More on that in the coming months. For now, just know that the manuscript needs some major and minor tweaks, but I already know what those are. What I don’t know, yet, is how those tweaks will reverberate through the rest of the story.

As for those NYPL books:

Dogsbody, Diana Wynne Jones (1975, NYPL e-book). DWJ’s novel is utterly charming. Sirius is a violent-tempered star-being (yes, that star — the brightest one in the night sky, part of the Canis Major asterism), sent to earth as punishment for bad behavior. His one hope is to find a zoi (a powerful object that can wipe out entire solar systems) that has gone missing. Only problem is, Sirius lands on earth as a new-born puppy.

The story is narrated from Sirius’s point of view, and we watch him learn about his new world from the viewpoint of a rapidly growing dog, whose outsized feet and uncontrollable tail are constantly getting him into trouble. He gets help from a couple of astral beings, but also finds some other astral beings have arrived to destroy him and take the zoi for themselves. And, of course, humans come into his life as well, teaching him about love and loyalty and charity. Wonderful.

The Descendants, Kaui Hart Hemmings (2007, NYPL e-book). While reading this, I couldn’t help hearing George Clooney’s voice as the narrator, even though I’ve never seen the film based on this book. Set in modern-day Hawaii, this is the story of a wealthy family (Matthew King, his daughters, his in-laws) waiting for his wife, Joanie, to die. (She’s in a coma, soon to be taken off life-support.)

Hemmings weaves humor into this sad story, as Matthew debates the various moral choices he has to make over the course of just a few days: who should he sell the family land to? can he be a better father to his daughters? does Joanie’s lover (whom Matthew has just learned about) have a right to know that she’s about to die? does he still love his wife, even after learning she’s been unfaithful? who are these girls/women who are his daughters?

Flying Lessons and Other Stories, Ellen Oh (ed.) (NYPL e-book). Ellen Oh, the co-founder of We Need Diverse Books, gathered stories from 10 well-known children’s authors, including Kwame Alexander, Meg Medina, Matt de la Peña, Jacqueline Woodson, Grace Lin, Tim Federle, and Walter Dean Myers. The stories feature a diverse set of male and female protagonists — African American, Asian (both ancient Chinese and modern Indian American), Latinx, Choctaw, gay, straight, disabled.

Each of the stories is wonderful, and in no way does it seem as though the stories were created to feature diversity. Instead, these are stories about real people, dealing with with life-shattering or life-affirming events. In the Foreword, Christopher Myers quotes his father on “hospitality in writing”: Said his father, “No matter what harrowing or amazing tale you will experience in this book, know you are welcome here. Let me share what I have, and we will enjoy the sharing.”

It’s easy to see how this book will appeal to all readers. 2 of the stories are about sports, several feature families struggling to succeed, some are set in schools, another in a library, another around a campfire. Some are fish-out-of-water stories (the only black person in a small New Hampshire town), others are land creatures jumping into deep water (a wheel chair basketball team plays their first away game). Some are even about falling in love.

As a collection, this works well in meeting the goal of “hospitality in writing”. All readers are welcome, all readers will find a comfortable home here.

The School for Good and Evil, Soman Chainani (2013), A World Without Princes (2014), The Last Ever After (2015) (NYPL e-books). One of Soman Chainani’s stories is in the Flying Lessons book — about a shy teen traveling with his much older and extremely flamboyant aunt (think Auntie Mame). I saw that he’d written these books and lucky for me, they were available. I’ve only read the first, but I’m moving on to the second after I finish writing this post.

This is a clever school-setting series, but with this twist: every 4 years, 2 children are taken from the town of Gavaldon to attend the School for Good and Evil, which trains fairytale characters to create their own stories for children called “readers”. Previous graduates include Jack the Giant Killer, the Giant, Snow White, Maleficent, the Little Mermaid and the Little Match Girl (slight slip-up there, because these last two had no happy-ever-after. I blame the School for Good and Evil, who probably hired bad PR people; I don’t blame Chainani). Side note: the less successful students have futures as beasts, even plants, featured in fairytales. This is what happens when one doesn’t study! Fail this test and you’ll be Jack’s next beanstalk.

Sophie and Agatha are this year’s victims, but something goes wrong. Sophie, who trained all her life to attend the School for Good, ends up at the School for Evil; Agatha, not interested in leaving Gavaldon at all, ends up at the School for Good. Agatha discovers that none of the other students are from towns like hers — they’ve all come from fairytale families. She and Sophie are the only “readers” on the campus.

Students, wolves, fairies, teachers, plus the mysterious shadow responsible for the quadrennial kidnappings, all conspiring to hide a direful prophecy — a volcanic combo promising a rousing finish, and Chainani doesn’t disappoint. It’s great to watch Agatha and Sophie figure out what’s happening, and Chainani doesn’t stint on the gruesome details — moats filled with sludge and uniforms that are cloyingly sweet (School for Good). Put it this way: there’s a lot of bubblegum pink, and a lot of filthy sludge.

Posted in Am reading, Am revising, Fantasy, Fiction, Humorous, short stories | Tagged , , , | 10 Comments

Weird combinations and scary dreams

“Little Nemo”, by Winsor McCay, comic strip published 1905-1926

Yep, I’m definitely craving odd-ball books these days. Here are 2 more for your consideration:

Fragile Things, Neil Gaiman (2006, 2013, NYPL e-book). Another collection of Gaiman’s writings, most of which come a là macabre. The book includes short stories (Gaiman’s take on horror, sci-fi, fantasy, fairy tale, gothic, etc. genres), a novella, an excerpt from The Ocean at the End of the Lane, a lecture, a verse or two, and a short sequel to American Gods. So, something for everyone.

Most of the contents were first published between 1990 and 2006. The lecture, “Make Good Art,” is a 2012 graduation speech he gave at the University of the Arts (Philadelphia). Easy to say, not so easy to do — but what a thrill it must have been for those students to hear Gaiman encourage them to go out and be fearless about their work. (YouTube carries some videos of the full speech.)

Gaiman’s fiction is certainly fearless: a sci-fi spoof of Sherlock Holmes; a collection of flash fiction, each of which represents a Tarot card — from a set designed for vampires; an end-of-the-world tale that reverses the first couple of pages of Genesis; a gothic story with a 16-word title that includes the phrases “forbidden brides”, “faceless slaves”, “secret house” and “dread desire”; a nearly fatal magic show; a sequel to the Narnia books (which addresses some of my complaints about Lewis’s series); and so on. Some are funny, some gruesomely violent, some just plain weird — but in a good way!

Some memorable quotes: From “A Study in Emerald”, the Holmes-like character quips, “If there’s one thing that a study of history has taught us, it is that things can always get worse.” From “The Problem of Susan,” a dream sequence that posits a new Mary Poppins book, Mary Poppins Brings in the Dawn:

She … reads the story waiting for her: Jane and Michael follow Mary Poppins on her day off, to Heaven, and they meet the boy Jesus, who is still slightly scared of Mary Poppins because she was once his nanny, and the Holy Ghost, who complains that he has not been able to get his sheet properly white since Mary Poppins left, and God the Father, who says, “There’s no making her do anything. Not her. She’s Mary Poppins.”

And, in “The Monarch of the Glen,” the funniest thing I’ve heard said or written about people from the Lone Star State: “He thought about saying something about Texans believing that Texas was actually in Texas, but he suspected that he’d have to start explaining what he meant, so he said nothing.”

Well, I warned you in my last post that this may be the Year of Gaiman for me (lobbying hard for The Graveyard Book as Witch Week 2020’s read-along!).

Not to worry. I’ll read books by other authors, such as:

The Organs of Sense, Adam Ehrlich Sachs (2019, NYPL e-book). How do you like your philosophy? Neat? With a twist? Shaken? Stirred into something bubbly and sweet? I’d say you get all of the above in this novel, about the sense of sight, but also about utter nonsense and the way philosophers can spend a lot of time and energy debating the most absurd questions.*

Sachs takes some true-to-life historical figures from the HRE, circa 1600, throws in Leibniz, who, in a brief tangential-to-his-career effort to understand the human mind, has visited a blind astronomer to wait with him for a solar eclipse this blind astronomer has predicted, thereby possibly proving the astronomer’s sanity.

Got that?

Let me tell you, Sachs’s book is so much more confusing. First of all, the long sentences (which rival Proust’s for complexity):

But there was, as [Leibniz] explained to the Philosophical Transactions, a fourth and presumably final possibility, a possibility as intriguing as it was improbable: that he would encounter up there in the snowy mountains of Bohemia a man of reason, a man of science, whose prophesied flash of darkness would actually come to pass, who in other words stared up at the sky with his empty sockets and saw somehow what no other astronomer in the world could see, foresaw with no eyes what they could not foresee with two.

That’s a bit below average, as many of Sach’s sentences go, but it gives you a hint of the flavor. Then there’s the frequent repetition. To quick-start his failing career, the astronomer’s father is inspired to create a clockwork head:

And how his father seized upon that head! ¶ All the faith he had put in the box now went into the head, right into that head. “He put all of his faith in that mechanical human head.” The few new commissions that still came in he declined. “Everything now depended on that head,” the astronomer told Leibniz.

The nesting of narratives within narratives is another challenge for the reader. (I’ve seen this in only one other author’s work, that of WG Sebald.) Here, the biggest box is the narration itself (Sachs as fictional narrator, telling us about Leibniz’s attempt to delve into someone’s mind). The next box, of course, is Leibniz’s writings, as published in Philosophical Transactions, although we rarely get direct quotes from those publications. The next box is the blind astronomer, speaking to Leibniz during the 4 hours they await the predicted eclipse. And the next box is — well, someone talking to the astronomer, perhaps reporting something that someone else had said (another box), quoting another person (a fifth box) — with Sachs neatly reminding me every few pages, that this is person X quoting person Y as she speaks to the astronomer, and Leibniz is carefully noting all this down for his own article.: “… I am quoting the Emperor here, the Court Chamberlain said, the astronomer told Leibniz.”

Arcimboldo, “The Water”, 1563-64

But let me also add that this book grabbed me from the start. During the 4 hours that Leibniz and the astronomer are together, the astronomer stops every few minutes to put a blind eye to his telescope and then jot down several number in his notebook (with a quill, no less). Leibniz notes each instance with almost the same words: “The astronomer pressed an eye socket to his telescope. Then he picked up his quill and wrote something down.” Leibniz wants to look at the notebook, to see what the astronomer has written; he longs to look through the telescope to see what the astronomer is looking at. More than anything, he wants to get inside the astronomer’s head, to understand his thoughts. And I want him to as well, so that he can write about it for Sachs’s narrator to find and tell me what Leibniz wrote.

There are lots of heads in this book — an Arcimboldo painting, a clock-work head that the astronomer’s father presents to the Holy Roman Emperor, the Emperor’s daughter’s constant headaches, doubts about various person’s sanity (their “heads”), children’s heads to be filled with knowledge — or plumbed for information.

In the end, that’s what this book is about — how can we bridge the chasm between our own heads (our thoughts) and others? how can we know — truly and without questions — what they are thinking? Leibniz takes a tiny philosophical detour away from positivism, and finds himself deep in the quagmire of making sense of the connections between our senses and our minds. And what a mess these minds are. No wonder Leibniz quickly abandons this quest and goes back to positivism. So much easier to handle.

*I’m reminded of the scene in The Enigma of Kaspar Hauser, when Kaspar is being interviewed by a professor. In response to the old riddle about the town of people who cannot lie and the town of people who can only lie. What’s the one question you can ask to determine which town a person is from? Kaspar thinks for a moment and then proudly answers, “I would say to him, “Are you a tree frog?”

Posted in Am reading, Fantasy, Fiction, Gothic, Historical research, Horror, Humorous, Macabre, Science fiction, short stories | Tagged , | 2 Comments

Flotsam and Jetsam

4 books reviewed here, and from them you’ll get a sense of my odd taste in reading these days. No particular reason for it — each one spurred by happenstance, satisfying a yen, or whatever.

Lud-in-the-Mist, by Hope Mirrlees (1926, NYPL e-book). A character in one of Gaiman’s short stories mentions this book, and — mirabile dictu — it was available from the NYPL’s e-book collection. (I can’t say often enough how much I appreciate the NYPL’s e-book collection.) Lud-in-the-Mist is a town located at the confluence of two rivers, one of which flows out of Faerie and threatens the comfort of the townspeople. Then Nicholas Chanticleer’s son and daughter disappear into Faerie, and he must go after them. But this novel concerns so much more than just villainous fairies kidnapping wayward teens. It’s also about the qualities that reason lacks. At one point a doctor says to Nicholas, “I’d like to reason with you a little …. Reason, I know, is only a drug, and, as such, its effects are never permanent. But, like the juice of the poppy, it often gives a temporary relief.” Reason, of course, can be powerful, and not just as a drug to ease distress. But, Mirrlees’ story argues, a life that relies solely on reason is missing something critical to happiness. Faerie provides what’s missing. And for “Faerie”, read Art, Music, Literature — i.e., anything outside the realm of mere reason.

Mirrlees doesn’t shy from making startling pronouncements, such as “the real anchor is not hope but faith — even if it be only somebody else’s faith.” And this, at the conclusion of her story:

… the Written Word is a Fairy, as mocking and elusive as Wily Wisp [a trickster character in the novel], speaking lying words to us in a feigned voice. So let all readers of books take warning! And with this final exhortation this book shall close.

I can see why this is one of Gaiman’s top-ten novels.

M is for Magic, by Neil Gaiman (2007, NYPL e-book). These 11 short stories, one of which is an excerpt from Gaiman’s Newbery winning novel, The Graveyard Book, include a nursery rhyme detective story (à la Jasper Fforde’s DCI Jack Spratt series), a troll-under-a-bridge horror story, a con-man tale set in another world, a tale of alien invasion, and so much more: Horror, fantasy, science fiction — it’s all here.

In his Introduction, Gaiman says that writing short stories was “a great way to begin to learn my craft as a writer. The hardest thing to do as a young writer is to finish something, and that was what I was learning how to do.”

This may be a year of reading/re-reading a bunch of Gaiman (#WitchWeek2020, anyone?), so I’m happy to start with this collection.

Black Narcissus, by Rumer Godden (1939, NYPL e-book). This is one of those rare books that was successfully transferred to the screen. I’ve loved that film (1947, written, produced and directed by Michael Powell and Emeric Pressburger) since first seeing it in the 1990s, and reading the book just makes me more appreciative of what Powell and Pressburger accomplished. A brief summary of the novel: to establish a hospital and school, 5 nuns settle into an abandoned palace near Kanchenjunga in the Himalayan Mountains. The wind, the views, the sky, the mountains themselves (especially Kanchengunga) challenge the nuns:

The flimsy walls [of the palace] did not shut out the world but made a sounding box for it; through every crack the smell of the world crept in, the smell of rain and sun and earth and the deodar trees and a wind strangely scented with tea. Here the bell did not command, it sounded doubtful against the gulf …. And everywhere in front of them was that far horizon and the eagles in the gulf below the snows.

The nuns fail and, after less than a year, leave the palace for their convent in the city.

Godden, who grew up in Bengal and, as an adult, spent many years in Calcutta, doesn’t romanticize the hardships of life in this part of what is now Bangladesh, nor does she ignore the beauty. However, it’s clear that outsiders, particularly ones trying to adhere to an alien discipline, are doomed to either madness or despair. Near the end, the Sister Superior cries, “I couldn’t stop the wind from blowing!” There may be a lot of sexual tension in this novel, but for me it’s the wind that causes the most trouble.

With the Fire on High, by Elizabeth Alcevedo (2019, NYPL e-book). Emani is a single mom and an aspiring chef, living in Philadelphia. In her senior year of high school, she has to figure out what she wants for herself and her daughter, has to decide what to sacrifice and what to fight for.

In Emani, we find a young woman who masks her self-doubt with bravura and a no-boys-allowed regime. Her skills in the kitchen give her something to be proud of, with friends asking for favorite dishes. Then, when she signs up for a cooking class and finds that her intuitions don’t impress the instructor, she comes close to quitting, ready to give up on her dream to be a professional chef.

Acevedo skillfully takes us through Emani’s difficult senior year, providing insights into her history (her father lives in Puerto Rico, her part time job at the local burger joint is sheer torture, her baby’s father takes the child every other weekend) that make us root for her success. When it comes, it’s well-earned.

And that’s it. With luck, I’ll be back again in a month or so with some more highlights from my reading.

Posted in Adventure, Am reading, Fantasy, Mystery, YA Lit | Tagged , , , | 14 Comments

“As the sun pulls away from the shore …

… and our ship sinks slowly in the west ….”

I finished Moby Dick more than a week ago, on my last night on the road home from a holiday family visit in Oklahoma. The wide horizons of the Midwest were behind me — ahead, the road through northern Pennsylvania, which crosses the Appalachian mountains and the Poconos, finally flowing through the Delaware Water Gap and into New Jersey. It’s a lovely drive, the road climbing steeply here and there, spanning rivers far below it, curving around hills and farms, dipping into valleys.

I make this trip 2 or 3 times a year, and my hours on the road are usually spent noting the familiar sites I’ve passed dozens of times: massive farmhouses, broken down barns, antique malls and car dealerships, billboards with a religious bent (JESUS IS REAL), billboards for local attractions (WORLD’S LARGEST GOLF TEE). It’s easy to see that prosperity is always just down the road from dereliction — as well as the other way around.

And while I was rolling along, just a few hours from home, I couldn’t help thinking about Melville’s ending. Nathaniel Philbrick, in Why Read Moby Dick?*, explains that one of the novel’s purposes is to reveal America’s mad dash towards the Civil War. As I write today’s post, it looks as though America is once again in a mad dash towards a new phase of annihilation. Never a comforting thought, especially given Melville’s lessons: only one member of the Pequod‘s crew survived their monomaniacal leader’s urge for revenge. More than half a million died in the Civil War (see The New York Times, 2 April 2012) — not as dire as the Pequod‘s fate, but still the bloodiest war in US history.

We have our own modern monomania to deal with — myths about our origins that mislead us, beliefs about the righteousness of our cause to support us as we move towards greater folly, expectations of happy outcomes despite past lessons.

It’s been a strange decade, aptly capped by this reading of Melville’s masterpiece. Despite being written more than 150 years ago, its ending is post-modern — not an ending at all, but instead a sudden, quiet cessation. It’s what T. S. Eliot predicted: “Not with a bang, but a whimper.”

Deep into Pennsylvania, I was sinking lower, going down with the Pequod.

And then, I remembered a line from a Spike Jones song (watch the video below to hear the whole thing). It’s the title/intro of today’s post. And Spike Jones is the type of thing that keeps me sane. Sure, I’ll read Moby Dick again in a few years. But Spike Jones (and NBC’s The Good Place — available on Netflix) are currently on heavy rotation. So, no worries. I’ve cheered myself up. And I’m keeping away from newspaper headlines for a while. Ignorance is, in this instance, bliss.

*I briefly discuss Philbrick’s book here.

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Happy holidays!

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection, The New York Public Library. “Veselé Vánoce!” The New York Public Library Digital Collections

To all my readers: Happy holidays, and best wishes for a new year full of cheer, good books, successful completion of all endeavors, and safe travels wherever you may roam.

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Shore leave ends

Last night I finished The Secret Commonwealth (Vol 2 of Pullman’s follow-up series to His Dark Materials) and sent it back (virtually, and virtuously) to the NYPL. By now, another patient reader has begun this dark and compelling tale. I noted parallels to current events (I’ll reveal no more than that), and had a brief moment of “That too?!?” about three-quarters of the way through. But then I remembered that I’m doing something similar with my own WIP, and just let myself fall deeper into Lyra’s world.

This year’s NaNo theme is so much fun.

As for my WIP — writing is progressing well, but slowly, and I’ll be on forced hiatus (for a pleasant reason) for a couple of weeks. But I’ve mapped out all the remaining chapters, many of which are already drafted — so maybe this draft is 70% finished. What’s even more exciting, with the help of my daughter, I finally filled in the last plot-hole. It was a big one, so I’m greatly relieved to have that repair in place.

And now I can get back to Moby-Dick. But before I start the next chapter (#68, so I’m past the halfway point), I just want to say a few quick words about Ishmael as unreliable narrator. In my last post, I warned everyone to watch out, because he makes up things. His chapter on the crow’s-nest, for instance, sounds like academic research but is, in fact, mostly humbug. But Ishmael has a clever sense of humor about it all — a bit like winking at the reader, especially with his footnotes — and is easy to forgive.

As for those footnotes, read them. They’re important. Melville, as Ishmael, is building a complex picture of American ingenuity, a mix of barbarity and inventiveness. Whalers, over the centuries, have invented all kinds of gadgets to ease the task of strip-mining the ocean’s wealth — ambergris, spermaceti, oil, meat — but there’s no avoiding the brutality of the process. You can move it below deck, but it’s still a bloody, stinky, cruel, dangerous mess.

A long time ago, a friend returning from a year in Norway brought me a can of whale meat. I kept that can for years, an object lesson of a strange sort. By the time I got rid of it (about the mid 1980s, I think), it had evolved from an interesting piece of art into a terrible reminder of what living on this planet demands.

Dear readers: try to make good choices.

Posted in Adventure, Am reading, Am revising, Fantasy, NaNoWriMo, Seafaring, short stories | Tagged , | 7 Comments

Steampunk typewriter

I bet you’re wondering about the title for this post. Well, feast your eyes on this:

Poster by Georgia Lange, for NaNoWriMo 2019

Ooh, ooh! Let me give the prototype a test-run! Note that it can clock your typing speed, keep an eye on your verb tenses, and (I’m hoping) let you know when you’ve had a brilliant idea. Jean Lee, I’ll see if I can line one up for you as well.

Ok, putting that dream away for now.

NaNo progress: 16 days of writing, and I should pass the 50K mark sometime tomorrow. I’ll have “won”, but I won’t have finished, so I’ll keep writing until my plane takes off.

Meanwhile, as for Moby-Dick, I’ve hit a snag. Actually, a pleasant one, but I’m in a bind. I’ve been waiting nearly 3 months for a copy of Pullman’s Book of Dust, Vol 2,  and it came yesterday. If it were a copy I’d bought (whether virtual or analog), then I could easily set it aside and wait for a better, less busy moment.

But since it’s an ebook from the NYPL, I can’t, because it’ll disappear from my phone in 12 days, and if I put it back on hold, it’ll be another 3 months before I see it again. Oh, #FirstWorldProblems, why?

Sorry, Ishmael, Ahab, Moby-Dick, Queequeg, Stubb, Starbuck, et al. But don’t worry — it’s “see you later”, not “so long”. I’ll be back in a few days.

NaNo has posted an interview with graphic designer Georgia Lange here. Well worth a read. Turns out, a graphic artist’s process is similar to a writer’s.

Posted in Am reading, Am writing, NaNoWriMo | Tagged , | 5 Comments

Am writing, am reading, am really really busy

12 days into November, and I’m on track to finish NaNoWriMo well ahead of the deadline. It’s amazing how much I can accomplish when I have to.

The reason I have to: I start a 2½-week trip on 24 November, which will leave me with no spare time for writing, and probably little for reading.

Which is why, while cranking out the daily NaNo pages, I’m also barreling through Moby-Dick. I passed the 35% point a couple of days ago, and my interest and enjoyment haven’t flagged.

“Moby Dick”, Rockwell Kent, 1930, courtesy FalseArt.com

But I have to admit that I’m flummoxed about what to add to the massive amount of Ahab-and-the-white-whale commentary that’s collected over the past 168 years.

2019 being the 200th anniversary of Melville’s birth, of course the blog-iverse is crammed with readers sharing their first/second/nth experience of reading Ishmael’s ultra-detailed tale. I have nothing to add, except a slight warning to all: don’t let Ishmael’s voice of expertise fool you. He makes up sources and disagrees with experts. You’ll see. This in no way diminishes Ishmael’s believability when it comes to narrating the events aboard the Pequod — he misses nothing, and never hesitates to tell us all.

To end, I send you to a Moby-Dick themed website well worth a lengthy visit: CallMeIshmael.org, where Patrick Shea, composer, musician and teacher based in Brooklyn, has posted commentary and a new song for each chapter of Moby-Dick. Starting in 2008, Shea composed the songs at the rate of about one a day (although it took him much longer to record them for his blog). His comments provide not just a reaction to the novel, but also a genesis-tale for each accompanying song. The songs themselves range through several musical genres, with lyrics printed for us to sing along. (Shea’s song cycle pre-dates the premier of Heggie & Scheer’s opera, Moby-Dick, by just 2 years.)

That’s it for today. I’ll be back in a week with an update.

Posted in Adventure, Am reading, Am writing, NaNoWriMo, Seafaring | Tagged | 8 Comments

Witch Week 2019 ends

It’s been a great Witch Week, and many thanks to all who participated. Our theme for next year is …

… No spoilers here! You can read all about it at Calmgrove.

Happy November to all!

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A penny for the guy

Engraving by Crispijn van de Passe, ca 1605. Guy Fawkes is 3rd from the right.

Happy Guy Fawkes Day!

To wind up Witch Week, we’re exploring a political fantasy by Diana Wynne Jones appropriate to this day of “gunpowder treason and plot“.

Head over to Calmgrove to read our discussion of Cart & Cwidder. If you’ve read it, please join in.

And remember, remember, the 5th of November!

A late 17th or early 18th-century report of the plot, Wikipedia

Posted in Fantasy, Villains, Witch Week | Tagged | 1 Comment