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“If not quite a platform, a play is certainly a plinth, a small eminence from which to address the world, hold forth about one’s concerns or the concerns of one’s characters. But not to preach. Writing a play I have never tried to hide the sound of my own voice. It hasn’t always been where an audience or a critic has thought to find it, and certainly not always in the mouth of the leading character. It’s often a divided voice or a dissenting one; two things (at lest) are being said and I am not always sure which one I agree with. But that is one reason I write plays: one can speak with a divided voice.” –Alan Bennett, excerpt from 2 October 2018 Diary entry, LRB 3 January 2019
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My last 5 posts
- Was it a bear or a Russian or what? February 16, 2019
- Book gluttony February 9, 2019
- A slow month … February 7, 2019
- The Last Ten Books Tag January 3, 2019
- Turning January 1, 2019
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Category Archives: Magical realism
Amuse bouche: magical realism version
The Enchantress of Florence, Salman Rushdie (Random House, 2008) Here, I offer you another tidbit to tempt your palate for other-worldly tales: a story of a mysterious European and of Akbar, the 16th century Mughal emperor. The European goes by … Continue reading
